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close-up of Pat Benatar singing into a microphone

We Can’t Begin To Know It, How Much We Really Care

It is an upwelling, a geyser burst from somewhere deep within — sudden, unexpected in its intensity — and my eyes, unwilling to succumb to this errant force of emotion, sting with the effort of holding back tears.

And why?

“Because she has taken the stage” is an inadequate response.

But that’s why.

Because — after two and a half years of concert-going being an impossibility, of people being denied and disallowed so.many.things while the world has wracked and heaved and grasped and cadged, of being exhausted from carrying burdens triply weighted by the abuses of power and the tyranny of illness — she has taken the stage.

And I am here to see it.

Because the songs she sings — her rasp-contralto belt cutting its own path – one that no one can imitate – across decades of airwaves — resonate. They touch me in a way I never realized fully until now. And I am here to hear them.

And I hear them.

With the heart of a much younger me and the experience of years, I see her and hear her and I think, “YES, hell is for children1” and remember the poignant-youth throat-tightening look-forward-ness of promises in the dark; I mentally walk through the recalled emotional desert of dry-parched years — years full of too much work and never enough money, of being a child who looked after both the adults I couldn’t depend on and the younger siblings who depended on me — when Wide Awake In Dreamland was a force that sustained I remember.

And my God… MY GOD… I made it.

I made it then.

And now, while the world is imploding and my family of origin continues collapsing, I am assailed with all the Befores while her voice reaches out to touch me deep inside, NOW.

It is like a fingertip gently pressing a scar.

And that — all of that, and more (and less) than that — is why the tears come, unbidden, to eyes unwilling to shed them.

Maybe It’s A Sign Of Weakness, When I Don’t Know What To Say

I look at the man sitting next to me, remembering all we have survived – indeed: thrived – through — not only in the past two and a half years but over the course of the last 19 — and I want to explain this powerful compulsion to cry, to unleash a wellspring of emotion that I didn’t realize was churning so deep within the memories I’ve long repressed. I want to make sense of it, to make sense of the Rewind-Repeat of struggle that has manifested in so many ways throughout my life, to speak aloud a reason for this onslaught of tears.

The words don’t come. But the knowledge does. The knowledge that We — he and I — have traveled a long road full of obstacles we have overcome together as well, and despite my tears-blurred vision, I can see clearly that somehow, some way, we belong.

And despite all the difficulties of the years, I think: Love is a Battlefield, but we are fighting on the same side.

To hell with financial stress and family strife and health struggles and the machinations of a world determined to destroy itself: We will be invincible.

And without warning — despite the throat-tight heart-clench effort to hold them back — those unbidden tears are released…

…suddenly, uncontrollably…

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Could Be Heaven

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header image via Pixabay

This could be heaven…

She is laid out, back arched, legs open, warm, aroused.

The scent of her — tangy, sweet with sweat and want — is euphoria to his indrawn breath, tingling his tastebuds, pulling him toward the apex of her thighs.

…or…

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Here I Go Again: September Song Project 2022

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Welcome to September Song Project #4!

The September Song Project was started in September 2019 as a way for me to “get into the groove” of writing again, after a lull, by making music my muse.

It has continued each September since, and I am looking forward to seeing what this year’s musical musings will bring!

For those of you who are unfamiliar with this project or who are otherwise new to this blog, or who would like to join in (please do! all are welcome!) and would like to know how it works, the basic gist is this:

What It Is: a writing project, focused around music

When It Takes Place: September 1 – September 30, 2022

How It Works: using any format that suits you (photography, poetry, short form writing, confessional blogging, etc.), let music be your inspiration — lyrics, song titles, genres, instruments, etc. — and share your link{s} below

If you have any questions, please let me know.

And if you do not have a blog of your own but would like to participate, please get in touch via the comments section or by using the contact form on my ‘about’ page.

I will look forward to seeing (hearing?) you in September!

Pelvic Floor Therapy #2: Well, it didn’t hurt as much this time.

artwork via Pixabay

It was still not comfortable. There was still some pain. But it was better than the first time.

It was equally awkward during the pre-massage interview — in the Why am I trying to make her more comfortable about these questions? kind of way; I mean, she’s the Vag Therapist, right? She should be trying to make ME more comfortable! — and there were a couple of WTF points, but overall I think this whole getting-a-deep-tissue-massage-in-my-snatch thing is helping.

She seems to think so too, based on her “Wow, that’s a big improvement!” comment when she pressed on a spot that was not nearly so YELP! as it was last time.

The general appointment procedure was the same as last time:

  1. Discuss symptoms.
  2. Share information.
  3. Terrorize Therapize my vag.

She seemed a little concerned that I had residual pain after my first session, but since it was basically the same kind of residual I used to get after my massage therapist would beat up my back, I thought it was no big deal. I’m guessing there are people who don’t come back for a second session when the residual-pain thing happens though, so that could have been why she was concerned.

We discussed my libido. “I’ve experienced a few minor awakenings,” I told her. To which she responded, “What were the circumstances?”

Errr…

?

I’m pretty sure she wasn’t asking about my jill-off fantasies, and I’d already told her that I have not attempted penetrative intercourse with my spouse yet1, so I had to think about that one for a minute.

Interpreting ‘circumstances’ as ‘general situation’, “It was warm,” was the first thing that came to mind. (Being too cold has long been a known factor in my libido-less-ness.) I was also relaxed. I’d just had several days of not having to work and had just gotten over being sick.2

[Insert moment of PT stressing out loud about how many people come to their appointments when they are sick.]

And then I told her that, whether it’s related or not, I’ve stopped having to wake up at night so often to go pee. (I mean, I kinda figured it was related, because {a} the lessening took place after my first pelvic therapy session, and {b} clearly those nether-regions muscle groups are all inter-related.)

And then she told me that ‘normal people’ (OoooooKaaaayy…) pee between five and seven times in a 24 hour period.

I guess this is a thing?

It’s been studied. Apparently.

And I found that a little bit interesting. Because — being a young-starter and long-sufferer of UTIs — I’ve always been told not to “hold it.” Like, if you feel a sense of urgency, you should go. And if you are about to leave the house, you should go (even if you don’t feel like you have to go). Or if you’ve put any kind of liquid in your system in the past two hours, you should go.

And such.

But apparently there is a negative side to that. Which is: if you go too frequently, your muscles forget how to “hold” and they don’t get their proper exercise, which leads to a weakening of the pelvic floor muscles.

Which is why, apparently, pelvic floor therapy is often useful for women with urinary incontinence issues.

So there ya go. Fun fact.

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